26 March 2009 @ 9:03AM >>
Thanks to everyone who came to the Indoctrinate U screening at the New York International Independent Film and Video Festival on Tuesday evening! It turned out to be quite a success, and undoubtedly, the festival organizers noticed the crowded theater and enthusiastic audience.
It was nice to meet a number of folks I knew only online, and thanks to the wonders of Facebook (yes, you can find me there), there was at least one member of the audience who I haven’t seen since 6th grade at P.S. 158.
Thanks also to everyone who bought me Black-and-Tans at the Telephone Bar afterwards, although it required me to ingest a couple extra doses of coffee the next day at work.
I was pretty surprised to get selected for this film festival. We haven’t had much luck on the festival circuit; the film industry isn’t much different from academia as far as groupthink goes. But because we had such a great showing, I’m sure that people in the business took note. So thanks again for the support!
P.S. Sorry for the late start on the film—I wasn’t aware that a half-hour short film was going to be shown before Indoctrinate U.
22 March 2009 @ 7:49PM >>
Just a reminder that Indoctrinate U will be shown at the New York International Independent Film and Video Festival on Tuesday, March 24th starting at 6PM. The screening will be held at the historic Village East Cinema, on 12th Street and Second Avenue in Manhattan.
The festival’s reviewers called Indoctrinate U, “a wry, hard hitting documentary about the effect of the campus culture wars on individual rights, diversity of opinion, and the life of the mind in American higher education. Very professionally made. Great subject matter, we found it very interesting.”
Find out why the film is getting such high praise:
“IT’S EXTRAORDINARY! ... I CAN’T RECOMMEND IT HIGHLY ENOUGH.”
—Lou Dobbs, CNN
“RIVETING”
—Peter Berkowitz, Wall Street Journal
“ALARMING AND FUNNY”
—Kyle Smith, New York Post
“A FUN AND POWERFUL PIECE OF WORK”
—-Stanley Kurtz, National Review
Tickets for the film festival screening are available now through TicketWeb.
11 March 2009 @ 10:47PM >>
I was pleased to have been invited on CNN to discuss Indoctrinate U with Lou Dobbs, but I was blown away at how complimentary he was. Dobbs called the film “terrific” and said, “I can’t recommend it highly enough.” He closed by recommending that viewers “get this documentary. It’s extraordinary.”
In related news, Indoctrinate U will be shown at the New York International Independent Film and Video Festival on Tuesday, March 24th at 6:00PM. The film will be shown at the Village East Cinema, on 12th Street and Second Avenue. Tickets are available online.
Saturday, February 21st @ 3:00PM
Monday, February 23rd @ 5:00PM
Tuesday, March 17th @ 9:00PM
Wednesday, March 18th @ midnight
Wednesday, March 25th @ 5:00PM
Monday, March 30th @ 2:00AM
(all times Eastern)
The Documentary Channel is available on the Dish Network as well as on some cable carriers. In addition, some public television stations simulcast the Documentary Channel during certain parts of the day.
For example, I found out after the last Documentary Channel run of Indoctrinate U that the PBS affiliate WNYE (cable channel 25 here in New York City) aired the film. WNYE carries the Documentary Channel on Monday nights and Saturday afternoons. One of the other large simulcasters is KBDI in Denver. Check your local listings against the times above for more information.
In accepting the film, the festival’s reviewers wrote:
Well-edited, good looking titles, technically pulled together well so there’s no major problems that distract you from looking at it. Content: About the problems of political correctness on college campuses today and how they often impinge on professors and students’ individual rights of expression. Great story and content with plenty of examples to draw from, mostly talking heads interviews with archival footage cut in, well-shot film that could easily play on PBS or something along those lines. A wry, hard hitting documentary about the effect of the campus culture wars on individual rights, diversity of opinion, and the life of the mind in American higher education. Very professionally made. Great subject matter, we found it very interesting.
Indoctrinate U will be shown at the festival on Tuesday, March 24th at 6:00PM at the Village East Cinema at 2nd Avenue and 12th Street.
24 October 2008 @ 12:17AM >>
I’m excited to announce that the Documentary Channel will be showing my film Indoctrinate U several times next week as part of its “Controversy in America” series. Airtimes are:
Monday, October 27th: 09:00 PM - 10:30 PM
Tuesday, October 28th: Midnight - 01:30 AM (After midnight Monday)
Saturday, November 1st: 05:00 PM - 06:30 PM
Sunday, November 2nd: 02:00 AM - 03:30 AM
Tuesday, November 4th: 03:00 AM - 04:30 AM
(All times Eastern U.S.)
The Documentary Channel is available on satellite and many cable systems nationwide. Check your provider for channel information.
These times are subject to change. Visit the Documentary Channel’s website for an up-to-date schedule.
MPI—which in addition to organizing the campus screenings also provided funding for the film—recently posted a look back at the many exciting developments since the film’s trailer was first released last spring. Here are some highlights:
On March 19, 2007, Maloney appeared on the Fox News Channel’s Hannity’s America, where he showed clips from Indoctrinate U and launched a grassroots effort to promote the film. A dedicated website, Indoctrinate-U.com, went live the day of Maloney’s Fox appearance; it featured the trailer, advance reviews, and information about upcoming events. Its most innovative feature, however, was a system for allowing visitors to sign up for screenings in their area, along with a map to track sign-ups by geographical location (our sign-up system has since drawn the praise of The Economist, National Review Online, and others who recognize its power to circumvent the closed world of Hollywood).
Throughout the spring and summer of 2007, Maloney did dozens of interviews on syndicated talk radio. He also made numerous television appearances on shows spanning the political spectrum, appearing as a guest on CNN’s Glenn Beck Show, CNN Headline News, and the Fox News Channel’s Your World with Neil Cavuto. Meanwhile, newspapers and magazines across the country regularly featured Indoctrinate U. The Washington Times ran a detailed story on the film, highlighting MPI’s role in ensuring that it got made and promoted. Noting that “it takes a movie to bring across the amazing, campus-wide power of even a single expertly conducted case of P.C. intimidation,” National Review Online said that the film has “real power.” A glowing review in the Weekly Standard attracted a link from the Drudge Report, one of the Internet’s most highly trafficked news sites. The New York Post ran an extended interview with Maloney—and the New York Times published a review that generated vigorous debate about free speech on campus.
[...]
On Friday, September 28, Indoctrinate U screened at Washington, D.C.’s prestigious John F. Kennedy Center for the Performing Arts. The marquee event at the American Film Renaissance Film Festival, the screening, which MPI co-hosted with the American Council of Trustees and Alumni, was a spectacular success. A sold-out crowd of 500 awarded director Evan Coyne Maloney a standing ovation. Cable outlet Home Box Office (HBO) attended the premiere to interview filmmakers and members of the audience for a documentary on the assault on the First Amendment.
[...]
These reactions tally with those of seasoned Hollywood veterans. At an October 13 event at the home of Patricia Heaton (Everybody Loves Raymond) and David Hunt (24), the film was celebrated and distributed to 200 industry insiders. Glowing reviews followed from Heaton, Kelsey Grammer (Frasier), Gary Sinise (Forrest Gump, CSI: NY), Jon Voight (Midnight Cowboy, Mission Impossible), and David Zucker (Scary Movie, Airplane, The Naked Gun).
Indoctrinate U’s impact has been felt in academe as well as Hollywood. Prominent professors such as Stanley Fish have grudgingly acknowledged Indoctrinate U’s timeliness and power. “Academics often bridle at the picture of their activities presented by Maloney and other conservative critics, and accuse them of grossly caricaturing and exaggerating what goes on in the classroom,” Fish wrote in an October posting at his highly trafficked New York Times blog. “Maybe so, but so long as there are those who confuse advocacy with teaching, and so long as faculty colleagues and university administrators look the other way, the academy invites the criticism it receives in this documentary.”
[...]
On January 29, Indoctrinate U kicked off its campus tour with a hugely successful screening at Duke University. Coordinated by campus groups from across the political spectrum, the highlight of the night was a sparkling discussion session with Maloney and Halvorssen that exemplified the ideal of free exchange that is so vital to the intellectual life of universities. “We promoted the event,” the organizers reported, “with an attempt to attract a diverse audience, ethnically, ideologically, and intellectually. We encouraged attendees to prepare to ask tough, penetrating questions during the Q&A. Evan and Thor were fantastic!”
Since then, Indoctrinate U has screened at twenty-seven college and university campuses around the nation.
[...]
Wherever Indoctrinate U plays, students rave about it. “The Indoctrinate U screening was a great success!” enthused a student at the College of St. Benedict and St. John’s University. “I was pleasantly surprised at how funny people thought it was—people were laughing throughout the entire film.” An East Tennessee State student agreed. “It was great to have the film at our school, and those in attendance will definitely be looking at their experiences on campus differently in the future,” he said. “It was refreshing to realize that there are people out there who realize that exposing the double standard in campus ‘diversity’ doesn’t make you a racist, a white supremacist, a neo-Nazi,” wrote a Cornell student. “I can’t tell you how many times I have been called a racist on this campus for talking about the same sorts of biased campus policies that appear in your film. Your film was a rare opportunity for validation.”
Meanwhile, public and private screenings continue. On April 14, MPI and the Manhattan Institute teamed up to co-host the New York premiere of Indoctrinate U. Held at the 500-seat Directors Guild of America Theater, the premiere thrilled the hundreds who turned out to see it. “The only thing that can be more gratifying to a filmmaker than having a packed house is having the house packed with a lively audience that responds enthusiastically,” Maloney said afterward. “It was truly a special night.” In the wake of the New York premiere, Maloney appeared on the Fox News channel to discuss the intrusion of politics into the higher education curriculum. In addition, John McWhorter, a former UC Berkeley professor who is now a senior fellow at the Manhattan Institute, published a hard-hitting op-ed in the New York Sun. “[A] sense of the politics of the nation as intellectually unassailable is so unquestioned in campus culture that it becomes easy to forget the rest of the country thinks differently,” McWhorter wrote. “Hopefully the film will bolster efforts to bring faculty representing a wider spectrum of views to college campuses.”
As this brief summary shows, Indoctrinate U is having a profound impact on debates about free speech, individual rights, and ideological one-sidedness on our college and university campuses. By revitalizing a conversation that had stagnated beneath reams of print —and particularly by moving that conversation into the arena of film—Indoctrinate U is motivating a new generation to embrace and defend the fundamental principles of academic freedom, free expression, and unfettered intellectual inquiry that are vital to the future of our nation. Now available in DVD and as a digital download, Indoctrinate U will continue to raise awareness and trigger vital debate for the foreseeable future.
30 July 2008 @ 7:06AM >>
I haven’t yet seen the video myself, but a number of folks e-mailed me to tell me that yesterday, during a discussion of Oliver Stone’s upcoming film, Elisabeth Hasselbeck recommended that viewers instead watch Indoctrinate U. Apparently, she plugged the film not just once, but a couple of times.
Thanks a lot, Elisabeth! I hope everyone who was watching heeds your advice! And in lieu of that, I’ll settle for just several percent of the audience.
14 June 2008 @ 1:52PM >>
A reader and viewer of Indoctrinate U recently wrote to me asking about a t-shirt I wore in the film: “I caught a glimpse of one of the t-shirts you were wearing, but didn’t really get the whole thing. It looked like it had a Republican elephant on it with a circle and a line through it. What was it really?”
I wrote back:
You correctly identified the t-shirt. It had the Republican Party logo with a circle-slash through it, and below that the text: “I Hate Republicans.”
For a while during the shooting, I wore a series of shirts deliberately intended to help me blend in to the environment, similar to the way that some species camouflage themselves.
The shirts (two more of which are shown in the attached photos: a CCCP shirt with the Soviet hammer and sickle, and a Joseph Stalin t-shirt) were originally part of an experiment that was intended to be a scene in the film. I wore different politically-themed t-shirts around campus and tried to capture various reactions. We did get a number of under-the-breath comments disparaging my “Viva la Reagan Revolucion!” t-shirt done in the iconic Che style and my “Proud Republican” t-shirt, but unfortunately, we had trouble finding the right mic setup to reliably capture such comments. So we pretty quickly scrapped the idea.
But after I realized that certain t-shirts granted me better access to the campus, I kept wearing those ones around.
Speaking of t-shirts, we’ve now got a few available over at the Indoctrinate U store, where we’ve just added a bunch of Indoctrinate U gear.
However, I should warn you in advance that these shirts probably won’t grant you better access on campus. Quite the opposite, possibly.
19 April 2008 @ 10:45AM >>
In the New York Sun, John McWhorter, the former Berkeley professor and current Manhattan Institute Scholar who appears in Indoctrinate U, has some thoughts on the type of groupthink documented in the film:
I’ve just attended a showing of Evan Coyne Maloney’s fine documentary about political correctness on college campuses, “Indoctrinate U.” Finally what we usually only read about: University of California Regent Ward Connerly shouted down by a near-violent audience, or an English professor whose department tried to blackball her when they found out she was a Republican.
The film got me thinking about how I was treated when I was teaching at Berkeley and wrote a book against racial preferences. The truth is that if someone made a movie about my life and had students throwing bricks through my office window and a cabal of professors signing a petition calling for my tenure to be revoked, it’d be good drama but sloppy history.
Most people, including professors, are not especially political, and I should say that the Berkeley administration was nothing but supportive of me, seeming to value that my new press presence kept Berkeley in the news more than anything else.
Sure, I got some catcalls, and God knows what sorts of things were being said behind my back. And there was, in fact, one “Indoctrinate U”-type episode. A black education professor invited a black-ish star sociology professor to come to campus and “debate” me, and the event turned out to be an occasion for audience members loudly booing me and hurling extended tirades.
To me, it was all in a day’s work: you don’t do what I do expecting not to be hated. What has never left me, however, is a chat I had with the education professor a few days later. He actually thought the event — a know-nothing burning in effigy in which my opponent had clearly not even read my book — had been a useful debate. To him, that public spanking was a productive and appropriate response to my opinions — at a university no less. I will never forget his sober expression, his sad, earnest eyes: he actually was sincere.
This is the ideology “Indoctrinate U” is about, and it is mistaken to treat these people as bullies, willfully precluding debate by hurling epithets like “racist” and “sexist.” This analysis implies an insecurity of these people which they do not feel. They thrill as much to the idea of open dialogue as anyone — but they think that a radical leftist perspective is truth, not opinion. To them, dialogue about a conservative perspective’s correctness is no more legitimate than dialogue about heliocentrism.
15 April 2008 @ 11:50PM >>
The only thing that can be more gratifying to a filmmaker than having a packed house is having the house packed with a lively audience that responds enthusiastically.
It was truly a special night, and it makes me all the more certain that the only thing standing in the way of massive success for Indoctrinate U is making sure that enough people get a chance to hear about the film.
14 April 2008 @ 9:11AM >>
Reminder: The New York City premiere of Indoctrinate U is this evening at 6:30PM. For more information, visit the Indoctrinate U website.
Also, I’m scheduled to discuss the film and the premiere on Fox & Friends tomorrow morning at 7:40AM (Eastern time).
28 March 2008 @ 10:43PM >>Indoctrinate U will be shown on Monday, April 14th at the Director’s Guild of America Theater on West 57th Street in midtown Manhattan.
The screening, which starts at 6:30PM, is free and open to the public. However, you must RSVP if you would like to attend. Space is limited and expected to go quickly.
21 March 2008 @ 1:25AM >>
In my last exchange with John K. Wilson, he tried making the case that Indoctrinate U suffers from “biases, distortions, and omissions” and that I am only a fair-weather friend of free speech.
My response pointed out the various ways in which Wilson makes off-base assumptions about my views. It seems that unless Wilson hears me explicitly state an opinion, he simply assumes I hold whatever position he disagrees with most and proceeds to argue against me from there.
And in his latest piece, a response-to-my-response-to-his-critique, Wilson does it again.
As reluctant as I am to encourage him to issue another interrogatory of my views, Wilson does ask three direct questions that merit answers. He introduces his questions in this discussion:
Maloney wonders “why Mr. Wilson believes I only favor free speech for folks I agree with is beyond me.” The reason is given in my article. At times, conservatives in the movie (including Maloney) seem to advocate censorship in a few cases. So I asked Maloney, does he believe that Foothill College should have banned flyers criticizing the conservative student? Does he believe that the professor in Michigan who denounced a student’s op-ed on affirmative action should have been punished or fired? Does he endorse David Horowitz and ACTA’s efforts to stop professors from discussing politics in classes? I didn’t get a clear answer. I have no problem with Maloney expressing his conservative viewpoint and criticizing professors he disagrees with; but I do want to know if he really support free speech for those he disagrees with.
As for military recruiters, I have my disagreements with the protesters and I have no doubt that some of them should be arrested if they step over the line. However, Maloney still hasn’t defended the right of students to protest, and he hasn’t acknowledged the fact that the rights of student protesters have been restricted at many campuses.
I appreciate Wilson’s questions, but first I need to address another one of those pesky assumptions by turning the tables and asking him a question. He claims, “conservatives in the movie (including Maloney) seem to advocate censorship in a few cases.”
So, my question: When and in what way did I “seem to” advocate censorship?
Perhaps Wilson would have me preface each case in the film with a disclaimer: “Warning: Even though the following scene contains no call for censorship, please be aware that the following scene contains no call for censorship.”
Anyway, getting back to his questions...
Question 1: “Does [Maloney] believe that Foothill College should have banned flyers criticizing the conservative student?”
No, I don’t, and I never said I did.
My purpose in going to Foothill was to try to determine if a professor was responsible for producing the flyers in question. If a professor of Ahmad al-Qoloushi wrote flyers disparaging him, it would be a major revelation that would add to the public’s understanding of the story. And because those flyers were literally stamped with the approval of the school, someone in the administration had to know whether a professor submitted those flyers for approval.
Unfortunately, I ran into a comically evasive administrator who stonewalled, stammered and summoned the police. So I never got a straight answer.
In the film, I wanted the audience to see the contrasts among the different handling of controversial flyers at different schools. At a number of schools, rather tame flyers have been censored, sometimes leading to Kafkaesque disciplinary proceedings that drag on for months. Yet in this case, flyers attacking a student by name got the school’s official stamp of approval. Merely pointing out this contrast should not be confused with advocating censorship.
Question 2: “Does [Maloney] believe that the professor in Michigan who denounced a student’s op-ed on affirmative action should have been punished or fired?”
(In the case Wilson references, a professor harshly criticized a student in class over her letter in the school paper. In the letter, the student discussed her multi-racial family and how it informed her opinion against racial preferences.)
In general, I think that a professor who uses class time to give political lectures when the issues involved have nothing to do with the class is acting in an unprofessional manner. Doubly so when the professor is haranguing a student over political views that she never expressed in class and that had nothing to do with the topic being taught.
Do I think the professor should be fired or otherwise punished? Not for this. But I’d hope that someone somewhere in the university would remind this professor what it means to act like a professional.
And if students ever decided to demand a refund for the portion class time wasted on off-topic political rants by professors who repeatedly and egregiously abuse their academic freedom, a school would be on thin moral ground to deny that refund.
Academic freedom bears a cost that is paid for by tuition and tax dollars, and it carries with it the expectation that professors will use that freedom to fulfill their educational responsibilities to students.
Having said all that, I think that professors should be given absolute freedom to discuss whatever controversial topics they wish in the classroom, when it relates to the educational purpose of the class. And outside of class, of course, professors are free to say whatever they’d like.
Question 3: “Does [Maloney] endorse David Horowitz and ACTA’s efforts to stop professors from discussing politics in classes?”
Wilson refers to a person and an organization, each with a long history of activism in academic circles, so I’m not entirely sure what efforts in particular he’s asking me to discuss.
I think my answer above covers my view of political advertising in class well enough.
But in case it’s still not clear where I stand, rather than consign myself to an infinite loop of questions aimed at determining whether I really am a genuine supporter of free speech in Wilson’s eyes, let me offer a rough outline of my thinking:
People should have the right to speak their minds
Academic freedom does not exempt professors from criticism
Feeling offended by speech does not give one the right to suppress it
People should not be forced to finance the speech of others
If a person declines to finance the someone else’s speech, that is not censorship
The right to speak encompasses groups, so that assembly and protest are possible
A protest that disrupts an event or otherwise interferes with the speech or movement of others is not covered by the concept of free speech
Hopefully this list will help make Wilson’s future assumptions about my views a little more accurate.
But, in the end, it may not matter much. I don’t think I’m going to persuade him. The author of a book called The Myth of Political Correctness: The Conservative Attack on Higher Education might have a vested interest in not being persuaded by the data and cases covered in Indoctrinate U.
Wilson closes his piece with a plug for one of his other books and a call to “unite in the struggle for freedom of expression.”
As Wilson knows from my previous response, I publicly defended Ward Churchill’s speech rights despite comments that I personally found abhorrent. I’m already on the free-speech-in-the-abstract team. But since Wilson still seems not to believe me, I’ll just end with something I wrote last September:
Erwin Chemerinsky, “a well-known liberal expert on constitutional law” according to the Los Angeles Times, was hired and then quickly fired by the Irvine campus of the University of California. The culprit, says Chancellor Michael V. Drake, was “conservatives out to get” Chemerinsky. Later on, an “emotional” Drake, “his voice at times quivering,” reversed his position and “said there had been no outside pressure and that he had decided to reject Chemerinsky” himself because the professor’s views were “polarizing.”
Given the unreliability of Chancellor Drake’s public testimony, it’s hard to know whether there really was a conservative cabal trying to take out Chemerinsky, or whether he was just the victim of a spineless administrator seeking to avoid controversy. Either way, the only decent thing for the university to do is to re-hire Chemerinsky, assuming he’d be forgiving enough to take the job instead of taking the school to court.
[...]
If there was a concerted effort among conservatives to block Chemerinsky, they probably felt justified in doing so, thinking that they’d just be preventing the dominant campus thinking from dominating another campus. But it’s hard to argue for tolerance of your views when you’re damaging the career of a man whose only transgression is disagreeing with you.
Whatever the sequence of events that led to Chemerinsky’s firing, conservatives who believe that their views deserve better respect on campus must stand with him on principle.
And who knows? Maybe the next time a conservative professor runs into career trouble for his or her views, some decent-hearted decision-maker will think back to this story and remember how not to act.
Respect can be brought back to campus if only enough people have the courage to practice it.
The second video shows what happens when a sitting U.S. Supreme Court Justice comes to give a speech on campus. In Welcome Wagon NYC, students at NYU Law School object quite strongly to the presence of Antonin Scalia, giving him a reception worse than the President of Iran received at that other large Manhattan institution, Columbia University.
14 March 2008 @ 8:53AM >>
In addition to the burnable Virtual DVD and the MPEG-4 version, Indoctrinate U is also now available as a Windows Media Player file. Visit the Indoctrinate U Store for more information.
Also, we will (finally!) have actual, physical DVDs available within a few weeks. I’ll post an update once the DVDs are ready for sale.
4 March 2008 @ 9:49PM >>
John K. Wilson, who founded an organization called The Institute for College Freedom (check out their site, if only for the nifty icons on the homepage), accuses me of “biases, distortions, and omissions” in his commentary on Indoctrinate U.
His critique was recently posted at Minding the Campus, which also allowed me a chance to respond. My response also appears below.
I appreciate the thorough and thoughtful analysis of my film Indoctrinate U by John K. Wilson. It is good to be having this discussion about the state of academia, and one of my hopes in making this film was that it would bring this debate to a much wider audience. Academic insiders are already aware of these issues, but the public at large is not.
Mr. Wilson has some strong critiques of my work, and I must say that given his perspective as someone who’s been involved in academic battles himself, I can understand some of his complaints. But where I have a fundamental disagreement is that he makes some rather broad assumptions about why I covered certain things and not others.
In effect, Wilson seems to be criticizing me for not making the film he would like see about academia. What’s worse, without understanding my rationale for choosing the footage I did, he accuses me of making a film with “numerous biases, distortions and omissions.”
More >>
Building on testimonials by students, faculty, alumni and critical commentators, including attempts to interview campus administrators (not a single one co-operated; several were filmed calling the police to eject Maloney from campus), the young filmmaker mounts a compelling indictment of—in George Orwell’s words — the “smelly little orthodoxies” suffocating intellectual diversity on campus.
Indoctrinate U exposes the full gamut of the PC scourge: irritations that grate, like speech codes forbidding words that may lead to “a loss of self-esteem” (Colby College) or a ban on gender-specific partner terms such as “boyfriend” (University of West Virginia); and cuts that sting: on campus after campus, conservative student journalists are reviled, their dailies trashed en masse. “The only good Republican is a dead Republican!” screams one offended student when offered a conservative broadsheet.
Diversity of opinion is squashed, sometimes with savagely hypocritical zeal. At Indian River Community College in Florida, the Christian Fellowship was refused the right to show The Passion of the Christ because it was “R rated,” but a play called F—king for Jesus was permitted, featuring a girl masturbating before a picture of Jesus.
The most sympathetic victims are conservative faculty, because academia is their life, not a way station. At California Polytechnic, “outed” professor Laura Freberg was reproached by her colleagues, “We never would have hired you if we’d known you were Republican.” In spite of her impeccable academic credentials and stellar teaching ratings, Freberg was removed as department chair, and a swastika burned on her lawn.
Just when you think he has plumbed its depths, Maloney finds more sickening examples of Western self-loathing. Kuwaiti student Ahmad al-Qloushi dared to write a pro-American essay at Foothill College. He was threatened with the loss of his visa by a professor; and administrators subsequently authorized the distribution of a third-party flyer calling him “as bad as Hitler” and likening him to a suicide bomber.
These examples seem sensational, but the film’s tone is calm and objective. Maloney did not appear to have cherrypicked his witnesses. He toured campuses big and small, famous and humble, across the nation. It was the same “velvet-totalitarian” story everywhere.
10 February 2008 @ 2:55AM >>Update: The review program has now ended. The offer below is no longer valid. If you’re interested in seeing the film, you can now download a copy from the Indoctrinate U online store.
Within a matter of days, we will be ready to launch the Indoctrinate U online store, where we will be offering the film for download as MPEG-4 files and ISO DVD files. MPEG-4 files are playable on Windows, Mac and Linux, and ISO files can also be used to create your own DVD copies of the film playable on virtually all home DVD equipment. All you need is a computer with a DVD burner, software capable of burning ISO files, and a blank DVD.
But before we open the store to the public, we will be offering free downloads of review copies to a limited number of bloggers who plan on publishing reviews of the film. If you’re interested in reviewing Indoctrinate U, please send your name (or online pseudonym), the name of your site, the site’s URL, and the e-mail address where you’d prefer to be contacted to this e-mail address:
reviews (at) indoctrinate-u (dot) com
When our online store launches, this offer will expire, so if you’re interested, e-mail us soon!
Oh yeah, non-blogger media folks are welcome, too.
Last time Evan visited Bucknell, it was for a screening of Brainwashing 101, a precursor to Indoctrinate U. The campus group that invited Evan to screen the film also gave him permission to videotape the screening and the Q&A afterwards. But the administrators at Bucknell had a different idea, and sent the head of Security to tell Evan—in front of the audience gathered to watch the film—that he had to stop filming or he’d be arrested.
Who knows what’ll happen this time, but whatever it is, it won’t be dull!
31 January 2008 @ 9:10AM >>
The Indoctrinate U screening at Duke went quite well, and the group that organized the event has posted a reaction on their blog:
Last night’s screening of Indoctrinate U was fantastic! The film was insightful, provocative and often hilarious. The Duke Chronicle reported the event in today’s issue, though with a few significant mistakes and a somewhat unfortunate title. DSEDuke sponsored the film, with contributions from the Program on Values and Ethics in the Marketplace and the Political Science department. A discussion afterwards was co-sponsored and promoted by the Duke Conservative Union, College Republicans, Duke Democrats, and the Center for Race Relations.
If any reviews of the Louisiana State screening become available online, I’ll post that link as well.
And finally, plans should be announced shortly for screenings at my alma mater—Bucknell University—and Washington & Lee.
Last time I visited Bucknell for a screening of my work, the school’s head of security threatened me with arrest—in front of the audience gathered to watch my film.
Hopefully things will go a little more smoothly this time.
16 January 2008 @ 9:12AM >>
We’ve just posted details for two more campus screenings of Indoctrinate U: one at Louisiana State University (Shreveport) and another at San Diego State University. For more information, visit the Indoctrinate U screenings page.
12 January 2008 @ 9:35PM >>
On the night of Tuesday, January 29th, the Indoctrinate U campus tour will kick off with a screening at Duke University.
Other screenings at additional schools will be announced in the coming weeks. The Screenings page on the Indoctrinate U website will always have the latest information.
2 January 2008 @ 8:57AM >>
Two of my favorite creative minds in music—Thom Yorke and David Byrne—recently sat down to discuss the future of the music business. Last October, Yorke’s band Radiohead released its latest album, In Rainbows. But rather than releasing it through a traditional music label, Radiohead let fans download the music directly from its website. And rather than charging a fixed amount for the album, users were given the option of naming their own price—down to and including zero.
The sinking fortunes of the music industry establishment may have been instigated by technological change, but they are worsened by the industry’s unwillingness to let consumers buy music that isn’t locked to specific formats or media. It’s like peering into the future of the movie industry.
In both cases, you have industries whose fortunes have been protected for decades by the commingling of content and medium. Record albums weren’t just vinyl, they were vinyl with embedded music: the music couldn’t exist without the physical medium. As tapes replaced records and CDs replaced tapes, higher fidelity and increased convenience of each new format gave consumers a reason to re-purchase content that they already paid for in lesser formats. But when songs are stored as data and can be moved around like any other computer file, consumers will only ever need to buy one copy. As long as open formats are used, people will be able to play their music on any device devised in the future. There goes the upgrade gravy train.
Like the music industry, the film industry is rightfully concerned with piracy, because once music and movies aren’t tied to a physical medium, they can be copied endlessly. But consumers don’t care if this inconveniences the industry; people have shown that they want the convenience of digital content, and they are willing to pay for it. So the more that record companies lock down digital content in order to fight piracy, the less incentive legitimate customers have to buy the product in the first place. What good is the “music as a file” model if it is artificially burdened with the same limitations as physical media?
The movie business hasn’t been hurt by the shift away from physical media yet. But that’s only because technology hasn’t advanced far enough. It takes a lot more data to store a high-definition movie than an album’s worth of high-fidelity music. When a typical consumer’s Internet connection becomes fast enough to download high-definition full-length movies in a matter of minutes, the home market for movies will be subject to same technological dynamics affecting the music business today. And that future is only years away.
But that isn’t the film industry’s biggest problem right now. After all, people won’t pirate content that they don’t want to watch in the first place.
The problem with the film business is that too many insiders forgot that the rest of America doesn’t necessarily share the same view of the world as their friends in Hollywood. Instead, Hollywood has become its own echo chamber, which is why distributors keep pushing out flop after flop of military-bashing films. In Hollywood and at film festivals, such fare is highly praised. But in theaters around the country, the audience for films like Redacted is comprised mostly of empty seats. It’s almost as if Hollywood is producing films only for itself.
My experience in trying to get distribution for Indoctrinate U only confirms this. People in the film business just don’t take seriously the possibility that there’s a market for documentaries outside Hollywood’s typical Michael Moore/Al Gore worldview. I don’t know to what extent that’s out of political bias or the result of a simple Catch-22: they don’t see a market for anything different, but that’s because they’ve never tried distributing anything different.
That leaves us in the position of having to self-distribute Indoctrinate U. And because the Internet will allow us to put the film in people’s hands in the fastest, most cost-effective way possible, we’ll be able to conduct a little experiment of our own. Indoctrinate U will not be available on DVD right away. Instead, we’re going to focus our efforts on seeing whether the Internet can be used to route around the gatekeepers in Hollywood—without the shackles of physical media. (Although unlike Radiohead, I’m afraid, we’re not in a position to give our goods away for free.)
Who knows? Maybe the market can be proven without Hollywood’s help. I think it can. And once the market is proven, we’ll finally know who in the film business wants to serve customer desires instead of the dogma of Hollywood groupthink.
30 December 2007 @ 3:35PM >>
Assuming the last few details get worked out in time, sometime in January, Indoctrinate U will be offered as a web download. At some point after that, DVD sales will begin as well.
Prices have not yet been set for either the download or the DVD. More details will follow when they become available.
